Vitalik Buterin Calls for “Open Source and Verifiable” Self-Driving Cars

On November 2, Ethereum (ETH) co-founder Vitalik Buterin sent a short but pointed message into the tech ether: “We need open source and verifiable self-driving cars.” The tweet landed like a provocation and a challenge at once—a call for transparency in a field where code, models, and sensor streams decide life-or-death outcomes, and where opaque, proprietary stacks have so far dominated the road.

At first glance, the line reads like a principled manifesto: open source as a check against proprietary secrecy, and verifiability as a guardrail for trust and accountability. But there’s a deeper technical case folded into that phrase.

Autonomous systems are not just software; they are sensor networks, machine-learning pipelines, communications infrastructures, and legal constructs. Making them “verifiable” means building mechanisms to prove—to regulators, to courts, and to the public—that a vehicle was running a particular software version, that its decision-making process met a safety contract, or that a sensor reading was authentic and unaltered.

### Blockchain and Modern Cryptography: Stitching Proofs Together

Blockchain and modern cryptography offer practical ways to stitch those proofs together without turning every car into a streaming data breach.

The simplest blockchain analogy is the immutable ledger. If a vehicle publishes cryptographic hashes of critical telemetry, software manifests, or signed attestations onto a permissioned ledger, investigators can later show that the evidence they examine matches what the car itself declared at the time.

This is the idea behind several academic proposals and prototypes: fragmented ledgers for vehicle forensics, “vehicle passports” that anchor attestations off-chain while keeping proof on-chain, and permissioned blockchains that constrain who can write or read sensitive automotive records. These systems aim to preserve privacy while maintaining tamper-evidence—a vital balance when raw sensor logs from LiDAR, radar, and cameras are privacy goldmines.

### The Role of Zero-Knowledge Proofs

But verifiability at the scale required by autonomous vehicles also needs stronger, more subtle cryptography.

Zero-knowledge proofs (ZKPs), including zk-SNARK constructions, let a system prove that it followed a particular safety property or that a model’s output lies within acceptable bounds—without revealing the model weights or the raw sensor data.

This capability is game-changing: regulators could require proof that the driving stack satisfied a safety predicate at a given time, and the manufacturer could provide a succinct cryptographic proof rather than dumping telemetry into the public domain.

Recent research explores ZKP-enabled frameworks for privacy-preserving verification across vehicle networks and related Internet of Vehicles (IoV) use cases.

### Beyond Forensics: Smart Contracts and Decentralized Identities

Beyond forensics and proofs, smart contracts and decentralized identities (DIDs) open other interesting avenues.

– **Smart contracts** can automate and document the lifecycle of safety-critical software updates: who signed the update, when it was pushed, which test suites it passed, and which vehicles accepted it—all recorded in a verifiable, auditable trail.

– **Decentralized Identities (DIDs)** allow vehicles, manufacturers, and roadside units to authenticate interactions without relying on a central vendor acting as a single point of control.

Together, these tools make it harder to hide a faulty update or falsify evidence after an incident. Several whitepapers and prototype frameworks show how permissioned blockchains combined with cryptographic attestations can serve exactly these functions.

### Challenges on the Road Ahead

Yet the technology road is not without its potholes.

– **Latency and throughput constraints** make it impractical to put raw sensor streams on a public blockchain. Instead, systems must balance on-chain proofs with off-chain data storage and efficient notarization.

– **Cryptographic proof generation**, especially for complex machine learning models, is computationally heavy, though ongoing ZK research is steadily lowering those costs.

– **Privacy remains thorny**: even hashed or fingerprinted telemetry can sometimes be deanonymized if combined with other datasets.

– **Governance and standards lag behind**: Who decides the safety predicates that must be provable? Which entities run the permissioned validators? How do courts treat ZK proofs versus traditional logs?

These questions are partly technical and partly social and legal.

### Openness and Verifiability: Toward Public Accountability

Buterin’s tweet matters because it reframes those debates in a single sentence: openness plus verifiability equals public accountability.

For a technology where public acceptance hinges on safety and fairness, that framing nudges companies and policymakers alike toward architectures that can be independently audited and cryptographically attested.

It also reframes competition: firms can keep proprietary model details if they can still produce compact, provable guarantees about behavior. In other words, transparency need not mean intellectual property forfeiture; it can mean verifiable safety without exposing the internals.

### The Path Forward

The next steps will be practical: pilots that demonstrate low-latency notarization of critical events, regulatory frameworks that accept cryptographic proofs as admissible evidence, interoperable standards for vehicle passports and secure update manifests, and open reference implementations that reduce the trust placed in single vendors.

The academic and engineering building blocks exist—from blockchain-anchored forensics to ZKP-backed verification; turning them into operational systems with clear legal meaning is the harder work ahead.

Vitalik’s sentence is an invitation to build, not a finished blueprint.

If self-driving cars are going to share our roads, they should also share a public language of accountability: verifiable statements about what they did and why.

Open source gives citizens and researchers the ability to interrogate systems; verifiability gives them the power to prove what actually happened. Together, they promise a safer, more auditable future for autonomy—one where trust is anchored in cryptography as much as in corporate reputation.
https://bitcoinethereumnews.com/tech/vitalik-buterin-calls-for-open-source-and-verifiable-self-driving-cars/?utm_source=rss&utm_medium=rss&utm_campaign=vitalik-buterin-calls-for-open-source-and-verifiable-self-driving-cars

10-Minute Challenge: A Vase of Flowers

You made it in time. If you want to look a little longer, just scroll back up and press “Continue.”

There’s a story about an ancient Greek painter named Zeuxis who, in a painting contest with a rival, painted grapes so realistic that birds flew down and tried to eat them. As I looked at these grapes by Margareta Haverman at the Metropolitan Museum of Art last week, I could imagine birds breaking through the ceiling, swooping right in.

A technical analysis of the painting revealed Haverman used up to seven layers of paint on the grapes, some added while the previous layer was still wet, to achieve the effect—evidence of an artist searching for the perfect form. Everywhere your eyes look, they encounter a torrent of detail: the intricate layers of the flower petals, the blushing of the fruit, the patterns on the wings of the bugs, the shine of the water droplets, and the veins on the leaves.

Interestingly, the leaves are bluer now than they would have been in 1716 because the yellow pigment Haverman used faded over time. Even with this bluer cast, there remains a wide range of color: shocking reds, paler blues, bright whites, and deep purples.

You can picture Haverman in her studio with this setup in front of her, looking, sketching, and painting—racing against the clock before her beautiful bouquet wilts and dies. Remember, it’s 1716: she can’t take a photograph.

But that’s not possible.

“This bouquet could never exist in reality,” said Adam Eaker, assistant curator in the Department of European Paintings at the Met. “These flowers don’t bloom at the same time of year, so Haverman would have slowly pieced this work together on the basis of individual studies.”

In all, there are 30 different types of fruit and flowers, two species of butterfly, five other types of insects, and a couple of garden snails. This is one of only two surviving works by Haverman.

Little is known about her life, but we do know she learned these techniques from a highly regarded flower painter, Jan van Huysum.

Take a look at this van Huysum painting from 1715. Can you see the similarities between Haverman (left) and van Huysum (right), particularly in the tulips? Haverman learned fast. She was good. Van Huysum was jealous.

A 1751 biography of the eccentric and secretive van Huysum — who came from a family of painters and wouldn’t even let his brothers see the inside of his studio — notes that Haverman’s “prowess aroused Jan’s envy to such a degree that he longed to be rid of her.”

Female painters were rare and often needed a family connection to enter the field. (Haverman’s father helped persuade van Huysum to take her on.) Many women were relegated to still life painting because they weren’t allowed to study nude models.

Still, Haverman excelled. The same biography notes she learned “not only to copy [van Huysum’s] paintings but also to paint beautifully from life; even to the amazement of connoisseurs, who came to see her work.”

Eventually, van Huysum found a reason to drop her as his student. (It was described at the time as a “misdeed.”)

Haverman’s self-assurance is clear in the decisions she makes in this painting. Notice how the dark background causes that streak of white flowers to push even more to the fore, providing a central anchor for your eye.

Zoom in (you may need to get up close) and you can just make out her signature at the bottom, almost etched into the plinth.

“I love the confidence of her signature and the strange sculptural ornamentation of the vase, lurking in the shadows,” Mr. Eaker said. “I think the signature gives a wonderful sense both of Haverman’s confidence as an artist and her skill at crafting an illusion.”

Flower painting like this was common in the Netherlands. Even a hundred years earlier, artists like Ambrosius Bosschaert the Elder were setting similarly striped tulips in arrangements against landscape backgrounds.

Around this time, in the early 1600s, so-called “tulip mania” hit the Netherlands. In the craze, the price of tulip bulbs was bid up and up—selling in one case for more than a Rembrandt painting—creating what some describe as the first financial bubble.

Eventually, the bubble burst and tulip prices came crashing down, leaving some tulip speculators bankrupt.

Tulip mania was later followed by the hyacinth mania of the 1700s. Haverman included blue and white varieties of hyacinth in our painting.

There’s a temptation to want to extract symbolism or meaning from these flowers. Maybe Haverman painted some parts of this bouquet not at their peak but in decay to remind us of the fragility of life.

“Some flowers do have symbolic meaning, but flower paintings generally weren’t meant to be ‘decoded,’” Mr. Eaker said.

In the end, the bouquet of flowers you bought from the corner store last weekend will die. This painting, with the help of art conservators, will live.

These are objects for close looking and admiration, Mr. Eaker said, “particularly on a cold gray Dutch winter’s day.”
https://www.nytimes.com/interactive/2025/11/02/upshot/ten-minute-challenge-flowers.html

‘Regretting You’ and ‘Black Phone 2’ neck-in-neck on slow Halloween box office weekend

The movie exhibition business is closing out one of its slowest Octobers in over 25 years with a sluggish Halloween weekend. Studios avoided opening any major new films with the holiday falling on a Friday. Instead, there were several re-releases, including “Back to the Future,” which is celebrating its 40th anniversary, and the Netflix phenomenon “KPop Demon Hunters.”

Even with a top 10 in which no films earned more than $10 million, there was still a bit of excitement as two studios claimed the No. 1 spot on Sunday. Universal’s horror sequel “Black Phone 2” was largely expected to top the charts in its third weekend in theaters, with the studio reporting an estimated $8 million for the weekend.

About 30 minutes later, Paramount reported that its romantic drama “Regretting You” had earned an estimated $8.1 million, which would place it in the top spot instead. Box office tracker Comscore analyzed the numbers and awarded the No. 1 title to “Regretting You.” It’s important to note that Sunday numbers are based on estimates and projections, and sometimes Monday’s actual figures tell a different story.

“Regretting You” is the latest Colleen Hoover adaptation to open in theaters, following the runaway hit “It Ends With Us.” While “Regretting You” has a running domestic total of $27.5 million, it is not expected to match its predecessor’s impressive $50 million opening weekend.

Meanwhile, in three weekends, “Black Phone 2” has grossed $61.5 million domestically and $104.7 million globally. Universal also handled the nationwide re-release of Robert Zemeckis’s “Back to the Future,” which earned $4.7 million from 2,290 theaters, enough to secure fifth place on the North American charts. The 1985 time travel classic now boasts a domestic total of $221.7 million.

Though there were plenty of HUNTR/X costumes on the streets this weekend, “KPop Demon Hunters” didn’t perform as well as it did when it played in theaters in August. That weekend, the streaming hit sold between $16 million and $20 million in movie tickets. This weekend, it’s estimated to have earned around $5 million from 2,890 screens.

Two distribution executives, speaking on condition of anonymity due to Netflix’s policy of not reporting ticket sales, shared these numbers.

Sony Pictures and Crunchyroll’s “Chainsaw Man The Movie: Reze Arc” dropped a steep 67% in its second weekend and is projected to add $6 million from 3,003 locations, bringing its total to $30.8 million.

Focus Features also launched “Bugonia” into wide release after several weeks in limited release. With an estimated $4.8 million from 2,043 theaters, it marks filmmaker Yorgos Lanthimos’s best wide opening to date. The darkly comedic thriller stars Emma Stone and Jesse Plemons and is expected to be an awards season contender.

“Springsteen: Deliver Me from Nowhere” landed in sixth place, just behind “Back to the Future,” and saw a 57% drop in its second weekend. It earned $3.8 million, putting its domestic total at $16.3 million and its global tally at $30.6 million.

“This was a truly scary weekend,” said Paul Dergarabedian, Comscore’s head of marketplace trends. “It was this imperfect storm of Halloween on a Friday and the World Series on Friday and Saturday. But the studios and theaters knew this was on the horizon and they planned for it.”

The next two weekends may bring some energy back to multiplexes with releases like “Predator: Badlands” and “Now You See Me: Now You Don’t.” However, the industry will likely have to wait until closer to Thanksgiving for a real blockbuster when “Wicked: For Good” and “Zootopia 2” enter the mix.

“This was always going to be a tough weekend. The audience was truly fragmented,” Dergarabedian added. “There are weekends where the movie theaters are the focus of attention, and those are coming.”
https://www.bostonherald.com/2025/11/02/regretting-you-and-black-phone-2-neck-in-neck-on-slow-halloween-box-office-weekend/

Are Republicans Willing to Play the Trump Card? – Liberty Nation News

President Donald Trump has called for an end to the shutdown – even if that means going “nuclear” on the filibuster. Meanwhile, Vice President JD Vance has some tough words for congressional Democrats. Are Republicans willing to play the Trump card?

The shutdown has dragged on for a month, with no end in sight.

### Liberty Nation News: The Beltway and Beyond – The Public Square

**Latest Polling With Liberty Nation**
Major poll shifts and great graphics.
[Read Now!]

**Trump Back From Asia, Bringing Home the Bacon**
Everywhere the US president went in the Far East, he successfully made trade deals.
[Read Now!]

**Gavin Newsom and Kamala Harris – A 2028 Presidential Conundrum**
What’s the possibility of a run from either – or, for that matter, both?
[Read Now!]

**Trump to Start Testing Nuclear Weapons**
After 30 years, the Comprehensive Nuclear-Test-Ban Treaty is more symbolic than binding.
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**SNAP Approved ‘Food’ Contributes to Obesity Epidemic**
The people and the program are bloated. It’s time for a change.
[Read Now!]
https://www.libertynation.com/are-republicans-willing-to-play-the-trump-card/

Sydney Sweeney says she’s ‘used to’ being sexualized since her breakout ‘Euphoria’ role

Sydney Sweeney Opens Up About Being Sexualized as an Actress

Sydney Sweeney is opening up about her experience with being sexualized in Hollywood. During an October 28 appearance on SiriusXM’s “The Julia Cunningham Show,” the 28-year-old actress candidly shared how she feels about this aspect of the industry.

The conversation touched on Sweeney’s role as a pregnant nun in the upcoming 2024 horror movie *Immaculate*. The host mentioned a review that criticized her for “constantly being in a wet white shirt,” calling it “ridiculous.” Reflecting on the review, the host admitted to being surprised and asked Sweeney if she thought her role on *Euphoria* was the reason that many of her subsequent roles were viewed through the lens of sexualization.

“Yeah. I think Cassie was just such a big pop culture character with *Euphoria* and the zeitgeist of that generation,” Sweeney responded. “It was honestly the first big thing people saw me in, and I think it’s difficult for people to disassociate actors from their roles, especially a character like that.”

She explained that this inability to separate the actor from their character creates a “different kind of dynamic.” To illustrate her point, Sweeney shared that even her own brothers communicate with her using memes related to her *Euphoria* character. However, she emphasized that every role she has taken on since then has challenged viewers’ perceptions of her range, citing projects like *Reality*, *Christy*, *Americana*, and *Eden*.

“I think it’s just… there are growing pains,” she added.

Sweeney appeared alongside the cast of her latest film, *Christy*, in which she portrays the real-life professional boxer Christy Martin. Reflecting on the first major impression *Euphoria* left on audiences, she said, “It was honestly the first big thing people saw me in, and I think it’s difficult for people to disassociate actors from their roles, especially a character like that.”

At Variety’s Power of Women event on October 29, Sweeney accepted an award for her advocacy work. She dedicated the honor to Christy Martin and revealed how she connected with Martin’s story, despite not being a fighter herself.

“I know what it feels like to be underestimated, to have people define you before you’ve had a chance to define yourself. I know what it feels like to have to prove that you deserve to be here, to be seen, to be taken seriously,” Sweeney said.

She continued, “But every one of us has our own fight, and Christy reminds us all that strength doesn’t look loud sometimes, and sometimes it’s just about getting back up again and again, no matter who’s watching.”

During the event, Sweeney turned heads in a sheer silver dress that left little to the imagination. Her *Euphoria* season three co-star, Sharon Stone, praised her bold fashion choice on the red carpet, telling Variety, “It’s OK to use what mama gave you.”

For more entertainment news and updates, stay tuned.
https://www.foxnews.com/entertainment/sydney-sweeney-says-shes-used-to-being-sexualized-since-her-breakout-euphoria-role

Bill Maher fears Democratic Party is becoming a ‘ghost brand,’ draws comparison to Sears

You can now listen to Fox News articles!

On Friday’s episode of *Real Time*, host Bill Maher expressed concern that the Democratic Party is becoming a “ghost brand,” drawing a comparison between the party’s declining popularity and the downfall of the former department store giant, Sears.

“The cautionary tale of the ghost brand is an important one because it applies not only to business but also to politics. I fear the Democratic Party is at risk of becoming a ghost brand too,” Maher warned. “Like Sears, it used to be mighty and ascendant and popular.”

Maher described a ghost brand as “a company or a store that, like Sears, still exists, but only as a pathetic shell of its former self. The brands that make you say, ‘Oh, they’re still making that.’ Because they screwed themselves out of relevance and now their logos haunt us, wandering, neither alive nor dead like Mitch McConnell.”

Pointing to Sears’ former significance, Maher noted that at one point the company accounted for 1% of the entire U.S. economy and 41% of the country’s appliance market. However, Sears eventually faded into obscurity, leaving behind its status as an American staple. Maher expressed concern that the Democratic Party may be facing a similar fate in American politics.

“Democrats once controlled Congress and the Supreme Court, or at least competitively. But now, even at a time when President Trump is turning 250 years of democracy into jean shorts, the Democrats have their lowest rating in 35 years — 63% unfavorable,” he said. “What happened? I don’t know. What happened to Sears?”

Maher continued, “It used to be synonymous with the American dream because it kept faith with what the customer wanted. Did we love Sears? No. But that was beside the point. You just went.”

The *Real Time* host also mentioned another American ghost brand—the adult lifestyle brand Playboy. He joked that Sears was the place “who sold your father a mattress,” and Playboy magazine was what he hid under it.

According to Maher, Playboy used to be a “surefire product” until they started “messing around with the formula.” He compared this shift to the Democratic Party’s changes, saying, “Like the Democratic Party, Playboy decided they didn’t need straight men anymore. They put transgender women and gay men on the cover and, predictably, sales — like their subscribers’ penises — collapsed.”

“The staff began using terms like intersectionality, sex positivity and privileging. And in response, Playboy readers used terms like, ‘No thanks, get the f out of here, and bye-bye,’” Maher argued.

Maher closed his night of analogies by referencing Barneys, once a dominant force in American retail that later became a ghost brand. The fashion brand was forced to close its flagship Madison Avenue store after filing for bankruptcy in 2019, marking another example of a once-great retailer falling into irrelevance.

**BILL MAHER BELIEVES THIS OUTSIDER COULD BE THE KEY TO RESTORE THE DEMOCRATIC PARTY’S CREDIBILITY WITH VOTERS**
**BILL MAHER ADMITS HE STILL FEARS GETTING CANCELED DESPITE CULTURAL ‘VIBE SHIFT’ AFTER ELECTION**

Click here for more coverage of media and culture.
https://www.foxnews.com/media/bill-maher-fears-democratic-party-becoming-ghost-brand-draws-comparison-sears

Trump’s ‘nuclear’ demand not landing for Senate Republicans amid shutdown

Senate Republicans have long resisted the temptation of going nuclear on the filibuster. This move, which involves changing Senate rules to eliminate the filibuster, has been more commonly employed by Senate Democrats when they controlled the upper chamber.
https://www.foxnews.com/politics/trumps-nuclear-demand-not-landing-senate-republicans-amid-shutdown

Prominent university chancellor says anti-Israel campus protests ‘were encouraged from Iran’

Chancellor Kent Syverud of Syracuse University recently addressed the factors fueling campus protests during a panel discussion held in Washington, D.C.

He noted that the demonstrations involved “activists from elsewhere,” suggesting that many participants were not solely from the university community.

This insight sheds light on the broader dynamics influencing campus activism and the complexities universities face in managing such events.
https://www.foxnews.com/us/prominent-university-chancellor-says-anti-israel-campus-protests-were-encouraged-from-iran

Death Notice: Bridget D. Scontras

**Obituary: Bridget D. Scontras**

Bridget D. Scontras, age 76, of Saco, passed away on October 28.

A visitation will be held on November 3 from 4 to 7 p.m. at the Cote Funeral Home in Saco. Prayers will be offered at 5 p.m. during the visitation.

A funeral service will follow at the funeral home. Further details will be provided by Cote Funeral Home.
https://www.pressherald.com/2025/11/01/obituarybridget-d-scontras/

Turok 2: Seeds of Evil Remaster is Out Now for PS5 and Xbox Series

Nightdive Studios has announced that the remaster of **Turok 2: Seeds of Evil** is now available for PlayStation 5 and Xbox Series X|S, priced at $19.99. Previously, the game was released for Nintendo Switch, PlayStation 4, Xbox One, and PC via Steam, GOG, and the Humble Store.

Additionally, a **Turok Trilogy Bundle**—which includes *Turok*, *Turok 2: Seeds of Evil*, and *Turok 3: Shadow of Oblivion*—is also out now for PS5 and Switch.

### Watch the PS5 and Xbox Series X|S Trailer Below:

[Insert Trailer Here]

### About the Game

Having defeated the Campaigner, Turok throws the Chronocepter into a waiting volcano to destroy it. Unfortunately, the blast awakens an even deadlier force—the Primagen. Once again, a Turok is tasked with restoring peace to the land and stopping the Primagen from merging Earth with the nether world.

### The Dinosaur Hunter Returns

Fight your way through 35 different types of enemies featuring bouncing bellies, blinking eyes, stretching tentacles, and snapping jaws. From prehistoric raptors to evolved flesh eaters, all the way to your final battle with the Mother of all Beasts—you’ll want to defeat every one of them!

The enemies are intelligent, attacking in groups, fleeing when outgunned, and taking cover during firefights. They also flinch and spasm differently depending on which body part you hit, adding to the immersive combat experience.

### Remastered Locations

Conquer six engrossing quest levels, including the Port of Adia, the Death Marshes, and the Lair of the Blind Ones, all beautifully remastered for modern platforms.

### Over 20 Weapons

Unleash devastation with a wide arsenal of weapons:

– **The Shredder:** Fire multiple ricocheting shotgun shells.
– **The Cerebral Bore:** A fan-favorite skull-drilling weapon.
– Ride an artillery-mounted Triceratops and stomp enemies flat!

### About the Author

A lifelong and avid gamer, William D’Angelo was first introduced to VGChartz in 2007. After years of support, he joined the site in 2010 as a junior analyst, advancing to lead analyst in 2012 and taking over hardware estimates in 2017. William has expanded his presence in the gaming community by producing content on his own YouTube and Twitch channels. You can follow him on Bluesky.

For more information, visit the full article at [VGChartz](https://www.vgchartz.com/article/466152/turok-2-seeds-of-evil-remaster-is-out-now-for-ps5-and-xbox-series/).
https://www.vgchartz.com/article/466152/turok-2-seeds-of-evil-remaster-is-out-now-for-ps5-and-xbox-series/

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