5 ways Barry Jenkins redefines modern cinema

**5 Ways Barry Jenkins Redefines Modern Cinema**
*By Vinita Jain | Sep 22, 2025, 01:43 pm*

Barry Jenkins, the visionary filmmaker behind the Oscar-winning *Moonlight*, has a unique storytelling style that delves deeply into human emotions and societal issues. Known for his nuanced characters and rich visual storytelling, Jenkins’s films go beyond mere entertainment—they provoke thought and evoke empathy. Here’s a closer look at how he redefines modern cinema through his distinctive approach:

### 1. Emphasis on Character Development
Jenkins’s films prioritize creating multi-dimensional characters that feel real and relatable. By focusing on their backstories and motivations, he ensures audiences connect with them emotionally. This attention to detail makes the characters’ journeys more impactful and memorable.

### 2. Visual Storytelling Techniques
A hallmark of Jenkins’s style is his mastery of visual storytelling. He uses color palettes, camera angles, and lighting to convey emotions subtly, often without relying heavily on dialogue. This immersive visual approach allows viewers to experience the story on a more visceral level.

### 3. Exploration of Social Themes
Jenkins frequently explores complex social issues such as identity, race, and class. Tackling these themes with sensitivity and depth, he encourages audiences to reflect on their own perspectives. Integrating these issues into his narratives adds meaningful layers that resonate long after the film ends.

### 4. Collaborative Approach to Filmmaking
Collaboration is central to Jenkins’s creative process. He works closely with actors, cinematographers, and other crew members to bring his vision to life. This collaborative spirit fosters creativity and results in films rich in detail and authenticity.

### 5. Use of Music as a Narrative Tool
Music plays a crucial role in Jenkins’s storytelling. He carefully selects soundtracks that complement the emotional tone and enhance character development. The music becomes an integral part of the narrative, drawing viewers deeper into the story rather than serving as mere background noise.

Barry Jenkins’s innovative techniques continue to push the boundaries of contemporary cinema, offering audiences films that are emotionally profound, visually striking, and socially insightful.
https://www.newsbytesapp.com/news/entertainment/barry-jenkins-the-filmmaker-behind-powerful-narratives/story

Slow travel in Japan: Must-visit pedestrian lanes

**Slow Travel in Japan: Must-Visit Pedestrian Lanes**
*By Simran Jeet | Sep 22, 2025, 01:37 pm*

Japan’s pedestrian lanes offer a perfect blend of culture and nature, making them ideal destinations for slow travel enthusiasts. These tranquil pathways provide a peaceful escape from the hustle and bustle of city life, allowing you to explore Japan’s rich history and stunning landscapes at a leisurely pace. From ancient routes to modern walkways, each lane carries its own unique charm and story, promising a memorable experience for every traveler.

### 1. The Historic Nakasendo Trail
The Nakasendo Trail is an ancient route that once connected Kyoto and Edo (now Tokyo) during the Edo period. Stretching over 500 kilometers, this trail passes through picturesque post towns where travelers can immerse themselves in traditional Japanese architecture and hospitality. Walking the Nakasendo Trail allows you to experience history firsthand while enjoying breathtaking views of mountains and forests.

### 2. Kyoto’s Philosopher’s Path
Kyoto’s Philosopher’s Path is a scenic 2-kilometer canal walk lined with cherry blossoms. It links the Ginkaku-ji (Silver Pavilion) to Nanzen-ji Temple, making it perfect for a leisurely stroll. Along the way, visitors can visit several shrines, temples, and cozy cafes. While it is especially popular during spring when cherry blossoms are in full bloom, the path offers a serene experience throughout the year.

### 3. Kumano Kodo Pilgrimage Routes
The Kumano Kodo is a network of ancient pilgrimage routes located on the Kii Peninsula. Recognized as a UNESCO World Heritage Site, these trails lead to sacred sites like the Kumano Sanzan shrines. Walking the Kumano Kodo provides an opportunity to connect deeply with nature while exploring rural Japan’s traditional villages and spiritual heritage.

### 4. Takayama’s Sanmachi Suji District
Takayama’s Sanmachi Suji district is renowned for its well-preserved streetscapes dating back to the Edo period. The area is home to wooden merchant houses converted into charming museums and shops. Strolling through these narrow lanes, visitors can glimpse Japan’s past through traditional crafts, local delicacies, and authentic atmosphere.

Embark on these pedestrian journeys to experience Japan’s timeless beauty and culture at an unhurried pace—perfect for those seeking slow travel adventures.
https://www.newsbytesapp.com/news/lifestyle/slow-travel-in-japan-most-charming-pedestrian-lanes/story

Can the U.S. handle a 28 Years Later-style outbreak?

We asked Jodie Comer and Aaron Taylor-Johnson if the U.S. is ready for an infected outbreak like the one that has swept through Britain in *28 Days Later* and *28 Years Later*.

Their insights shed light on the challenges and realities of managing such a devastating epidemic, exploring how prepared the American public and healthcare systems truly are to face a similar crisis.
https://www.polygon.com/video/can-the-u-s-handle-a-28-years-later-style-outbreak/

Assam CM Himanta Biswa Sarma Announces Memorial For Legendary Singer Zubeen Garg; Final Rites On September 23

**Legendary Assamese Singer Zubeen Garg to be Laid to Rest on September 23; Memorials to be Built in Guwahati and Jorhat**

Guwahati, September 21: The Assam Cabinet, led by Chief Minister Himanta Biswa Sarma, has approved the allotment of 10 bigha of land in Kamarkuchi near Guwahati to build a memorial honoring the legendary Assamese singer Zubeen Garg’s immense contribution to music and culture. The final rites are scheduled for September 23.

### Final Rites Announcement

Assam Chief Minister Himanta Biswa Sarma announced the details of the final rites on his official social media handles. In a tweet, he confirmed that the land allotment was approved after discussions with Zubeen Garg’s family. The CM shared the decision taken in the Assam Cabinet on his X (formerly Twitter) account.

### 10 Bigha Land Allotted for Memorial

The Assam Cabinet has approved allocating 10 bigha of land in Kamarkuchi, near Guwahati, where Zubeen Garg will be laid to rest. A memorial will also be constructed at the site to honor his enduring legacy in the fields of music and cultural heritage of Assam.

### Ashes to be Taken to Jorhat

Further, the Chief Minister informed that Zubeen Garg’s ashes will be taken to Jorhat, a historic town with which the singer had a deep connection. Another memorial will be established there to celebrate and commemorate this bond.

### CM’s Official Tweet

In his tweet, the Chief Minister wrote:
“After discussions with the family of Zubeen Garg, #AssamCabinet has approved allotment of 10 bigha land in Kamarkuchi, near Guwahati where our #BelovedZubeen will be laid to rest on September 23.”

### State Mourning Extended

As a mark of respect for the iconic singer, the Assam government has extended the state mourning period until September 23. Zubeen Garg’s remarkable contributions to music and culture have made him one of Assam’s most beloved figures.

### Details Shared by the Chief Minister

Alongside his tweet, the CM shared a poster highlighting key points:
1. Zubeen Garg will be laid to rest on September 23, 2025.
2. State mourning has been extended until September 23.
3. After discussion with the family, it was decided that the last rites will be performed and a memorial built on a 10 bigha land parcel in Hatimura, Kamarkuchi NC Village, Kamrup (M).
4. The ashes will be taken to Jorhat, where another memorial will be constructed to honor his connection with the historic town.

The Assam government and citizens alike mourn the loss of a cultural icon whose legacy will continue to inspire generations to come.
https://www.freepressjournal.in/india/assam-cm-himanta-biswa-sarma-announces-memorial-for-legendary-singer-zubeen-garg-final-rites-on-september-23

Women practising garba abducted by armed group in MP`s Mandsaur; 7 held

At around 9:30 pm on Saturday, several unidentified men and women entered Bhavsar Dharamshala within Kotwali police station limits, brandishing illegal weapons and forcibly abducted a woman by dragging her into a four-wheeler, an official confirmed.

Superintendent of Police Vinod Kumar Meena stated that the abduction was carried out by the woman’s relatives, according to reports from IANS. Kotwali station in-charge Pushpendra Singh Rathore identified the arrested individuals as Ramchandra; Manisha, also known as Bunty; Kamlesh, also known as Ghota; Fakirachand; Shambhulal; Shyamabai—all residents of Chachawada Sathiya under Garoth Police Station—and Dinesh from Bhunki Hatunia.

A case has been registered under charges relating to kidnapping, the Arms Act, and other relevant sections. Officials have confirmed that further investigation is ongoing.

The woman was participating in a Navratri celebration alongside other women and young girls when four men and two women suddenly arrived at the venue. Without warning, they grabbed her and began forcibly dragging her away. A young woman who tried to intervene was pushed aside. One of the accused brandished a pistol-like object, causing panic among attendees.

Video footage captured the chaos, showing people fleeing in fear as the woman was taken away, said Kotwali police station in-charge Pushpendra Singh Rathore, according to the IANS report.

Upon receiving the alert, police quickly responded and imposed a district-wide blockade. Within two hours, Kotwali police traced and apprehended all seven accused and safely recovered the abducted woman. The vehicle involved in the abduction and the pistol—which was later confirmed to be a toy—were also seized, police added.

According to the woman’s statement, she had previously been married but left her husband due to repeated physical abuse and had filed for divorce. For the past four months, she had been living with a young man named Yash in Khanpura. Her family and in-laws, reportedly angered by this relationship, orchestrated the abduction to bring her back home.

Local residents have expressed outrage over the incident, especially given its timing during a significant cultural celebration. The event has reignited discussions on personal freedom, family pressure, and the urgent need for stronger protections for women in both private and public spaces.

(With inputs from PTI and IANS)
https://www.mid-day.com/news/india-news/article/navratri-2025-women-practising-garba-abducted-by-armed-group-in-mps-mandsaur-7-held-23595111

Good fortune on gig economy

One of the more delightful mainstream films at the 50th Toronto International Film Festival (TIFF) was *Good Fortune*, an American film in English featured in a Gala presentation. Directed by American comedian Aziz Ansari, who has roots in Tamil Nadu, the film also stars Keke Palmer and Sandra Oh. *Good Fortune* is scheduled for a worldwide theatrical release, including in India, on October 17, 2025.

From the South Asian diaspora at TIFF, two diverse features explored the evils of capitalism. One of these was Aneil Karia’s *Hamlet*, presented as a Centrepiece film. This powerful British adaptation of Shakespeare’s great tragedy is performed in both Punjabi and Shakespearean English, starring Riz Ahmed and Sheeba Chaddha.

*Good Fortune* continues the growing trend of comedians becoming film actors, stars, and directors—following in the footsteps of icons such as Charlie Chaplin, Chris Rock, and Jordan Peele. This mirrors a historical shift when singers became film stars with the advent of sound in cinema, a trend also seen with India’s own Kapil Sharma.

The story centers on an angel named Gabriel (played by Keanu Reeves), a lowly angel with small wings whose duties are limited to preventing people from texting and driving simultaneously. Gabriel’s life changes when he observes the struggles of Arj (Aziz Ansari), a gig worker delivering for an app-based company. Arj juggles multiple shifts, barely manages to feed himself, and is forced to sleep in his car, which eventually gets towed due to unpaid parking tickets.

Out of compassion, Gabriel swaps lives with Jeff (Seth Rogen), a wealthy venture capitalist whose California mansion Arj regularly delivers goods to. Gabriel expects that Arj will soon realize the flaws of the wealthy, carefree life and want to swap back to his humble existence. However, to Gabriel’s surprise, Arj enjoys his new life—sipping cocktails by the pool—and has no intention of returning to his previous hardships.

The film’s narrative borrows elements from several classics: Wim Wenders’ *Wings of Desire* (1987), where an angel comes to Earth; the body-swap comedy *Freaky Friday*; and nods to Frank Capra’s *It’s a Wonderful Life*, in which a man contemplating suicide reconsiders after reflecting on his selfless acts and the impact he has made.

*Good Fortune* employs some narrative back-and-forth, with Gabriel visible only to Arj, mixing laugh-out-loud comedy with poignant moments. The film highlights the hearts of gold found at the bottom of the gig economy—such as Arj’s on-again, off-again partner, who dreams of starting a union to fight for workers’ rights, not just for those fortunate enough to currently benefit.

Keanu Reeves’ deadpan portrayal of the angel anchors the film, while Seth Rogen delivers a dry wit in his role. Aziz Ansari, who co-created and directed 11 episodes of the critically acclaimed Netflix series *Master of None*, as well as his 2022 comedy special *Nightclub Comedian*, brings his distinct voice to this project.

Presented by Lionsgate, *Good Fortune* is backed by producers Aziz Ansari, Anthony Katagas, and Alan Yang. Executive producers include Aniz Adam Ansari, Jonathan McCoy, Christopher Woodrow, and Connor DiGregorio. In India, the film will be distributed by PVR INOX Pictures.

Meenakshi Shedde, a film curator with 30 years of experience working with Toronto, Berlin, and other international film festivals, has played roles such as Cannes Film Festival Jury Member and Golden Globes International Voter. She is also a respected journalist and critic. You can reach her at meenakshi.shedde@mid-day.com.
https://www.mid-day.com/news/opinion/article/good-fortune-on-gig-economy-23595011

Australian singer quits Russia’s Eurovision alternative

Intervision, the Russian alternative to the Eurovision Song Contest, has kicked off in Moscow with a message from President Vladimir Putin. He emphasized that the event promotes the preservation of cultural identity. “Respect for traditional values and the diversity of cultures is the fundamental idea of the competition and inspires participants to achieve artistic heights,” Putin stated.

The musical competition features 23 countries and is being held at the Live Arena concert hall in Moscow, with an audience of approximately 11,000 spectators, according to the organizers.

Shortly before the performance of Australian-born singer Vasiliki Karagiorgos, known as Vassy, who was set to represent the United States, the hosts announced her withdrawal from the contest. The organizers, confirming that Vassy holds US citizenship, attributed her removal to alleged “unprecedented political pressure from the Australian government.”

Vassy was originally a replacement candidate after the initially announced US entrant, musician B Howard (Brandon Howard), withdrew on Wednesday due to “unforeseen family reasons.”

Russia’s state-run Channel One is broadcasting the three-and-a-half-hour show. The winner will be decided by an international jury composed of representatives from the participating countries. These include former Soviet republics such as Belarus, Kazakhstan, and Uzbekistan, as well as Russia’s allies within the BRICS group—China, India, Brazil, and South Africa.

Unlike Eurovision, Intervision does not allow public voting. Russia has been barred from participating in Eurovision since 2022, following its full-scale invasion of Ukraine.

Intervision is widely seen as President Putin’s conservative counter-project to Eurovision. Reflecting this stance, Foreign Minister Sergei Lavrov remarked, “There will be no perversions or mockery of human nature.”
https://www.perthnow.com.au/entertainment/australian-singer-quits-russias-eurovision-alternative-c-20091310

This photo with my baby used to scream ‘failure’. Now, I am viewing it differently

There’s a saying among parents that you don’t get a true, proper night’s sleep until your last child moves out of home. Always worrying, always wondering.

My daughter has always been a patchy sleeper. Given my own sleep habits—early riser, over-thinker—it was almost inevitable. My mother calls it the universe’s revenge for what I put her through.

I gave birth to my daughter in the bleakest of winters, during the longest COVID-19 lockdown in the world. For more than 1,200 days, sleep—hers, mine, getting it, protecting it, prolonging it—has dogged my thoughts and drained my reserves.

I often look at a cute photo of us napping together, taken by her father when she was one month old. What to some looks so natural has always looked like failure to me, for I, too, pledged before having kids to never become one of those parents who let their baby in bed with them.

Yet about two months ago, coinciding with my husband and me tag-teaming on some work travel, my daughter started coming to our bed in the middle of the night.

Surely, I thought, once the family was reunited, her sleep would return to normal. But it didn’t. Night after night, she would pad to our room in the darkness, water bottle and teddy in hand, to take up residence on three-quarters of my pillow.

At first, we did what we’d always done in this situation: the lonely dance of returning and resettling her to her own bed. But by the two-week mark, I was a nervous wreck.

Sleep-deprived and on edge, I’d even come to dread my own bedtime, fretting over when, not if, I’d be woken. I sleep-walked through work in a foggy, jet-lag-like haze. I cancelled plans with friends; my mental health nosedived. Something had to change.

It was around that time I heard about the self-help author and podcaster Mel Robbins, who coined the popular “Let Them” theory—a mindset tool that teaches us to stop wasting time and energy on things we can’t control.

I asked my husband, what if, instead of resisting our daughter’s desire to sleep with us and driving ourselves mad, we set new boundaries? What if, just for a while, we welcomed her into our bed?

Of course, arriving at this decision wasn’t quick or stress-free. Mention co-sleeping in the presence of three parents, and you will likely get five opinions. It’s a bit controversial, and one of the top “I will nevers” said by prospective parents (see also: dummies, screen time, and sugar).

But why, I started wondering, when history and numerous cultures have shown us that co-sleeping is considered normal? And more, when done safely within SIDS guidelines with babies and children older than 12 months, it can be a sleep and life saver.

Jazz Kostov, a Melbourne-based midwife and author of *Let’s Sleep: The First Year*, says:
“We need to remove the guilt around [co-sleeping] and acknowledge how normal it actually is.” Amen.

Other sleep experts, too, are gradually coming on board.

Professor Sarah Blunden, a clinical psychologist who researches children’s sleep, says there is growing scientific evidence around the lack of harm caused by co-sleeping (and even some benefits), but social attitudes have been slower to catch up.

Woolcock Institute of Medical Research paediatric and adolescent sleep physician Dr Chris Seton prefers the term bed sharing and says co-sleeping is unfairly stigmatised.

He says families need to consider both the positives—co-sleeping is nurturing, bonding, warm, and cute—and the negatives: it’s hard to reverse (Seton says the most common age of children who co-sleep is nine), it can be disruptive, and kids can move around a lot.

But, he says, by no means do the negatives outweigh the positives.

In trying to reframe my feelings about my daughter’s sleep, I proposed some rules:

1. Our daughter always goes to bed in her room.
2. If she comes in quietly, with minimal fuss, she can stay in our bed as long as she likes.
3. If she comes in wound up or distressed, other than from sickness, we take turns putting her back to her bed.

Some people have told me I am asking for trouble or creating a rod for my own back (Seton says there is no truth to the claim that co-sleeping creates weak or wimpy kids).

But as I find more confidence in divulging my secret to fellow mums and friends, I am more often being met with sympathy—and even similar experiences.

At a recent children’s birthday party, I met a lady who asked if my daughter slept through the night. I confessed that sometimes she ended up in our bed.

“Me too,” the mother whispered, reinforcing many experts’ belief that co-sleeping is more widespread than we may believe.

As the weeks roll by, I feel like less of a failure.

As my daughter—funny, independent, mature beyond her years—grows, it’s unlikely she will want to sleep with me forever. But where I once reacted with dread and feelings of inadequacy, I now welcome her with space on my pillow and a cuddle.

For as another favourite parenting saying goes, *this too shall pass.*

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https://www.brisbanetimes.com.au/lifestyle/life-and-relationships/this-photo-with-my-baby-used-to-scream-failure-now-i-am-viewing-it-differently-20250901-p5mren.html?ref=rss&utm_medium=rss&utm_source=rss_feed

How much gold, silver does Sabarimala temple hold

**How Much Gold and Silver Does Sabarimala Temple Hold?**

*By Chanshimla Varah | Sep 19, 2025, 08:21 PM*

**Introduction**

The Sabarimala Ayyappa Temple in Kerala is one of India’s richest and most revered pilgrimage sites. Situated at an altitude of 4,133 feet in the Pathanamthitta district, the temple attracts millions of devotees annually. Its wealth extends beyond spirituality, encompassing vast material riches, including significant gold and silver reserves alongside substantial annual donations.

**Gold and Silver Reserves**

According to reports from Mathrubhumi, the temple currently holds approximately 227.824 kilograms of gold, which is not utilized for daily rituals or other temple expenses. Additionally, the temple’s silver reserves stand at an estimated 2,994 kilograms.

Every year, devotees offer over 15 kilograms of gold, with monetary donations often surpassing ₹105 crore. In recent times, the temple’s gold assets have been placed under a deposit scheme to earn interest, contributing to its growing wealth.

**Financial Overview**

As of September 2025, the net worth of the Sabarimala temple is estimated at ₹245 crore. During the 2023 pilgrimage season, the temple’s revenues reached a remarkable ₹320 crore.

The Mandala-Makaravilakku season in January 2025 was especially lucrative, generating ₹440 crore alone—an increase of ₹80 crore compared to the previous season. This period also saw a rise in the number of devotees, with over six lakh pilgrims visiting and daily footfalls peaking at around 1.8 lakh on the busiest days.

Besides gold and silver, the temple’s assets include fixed deposits and jewelry of significant cultural and historical importance.

**Legal Investigation Over Missing Gold**

Recently, the temple came under scrutiny following a vigilance probe ordered by the Kerala High Court. The investigation was prompted by a discrepancy of approximately 4.541 kilograms in the gold-plated copper covering of the Dwarapalaka idols at Sabarimala.

The copper plates, which initially weighed 42.8 kilograms before being sent for re-plating in Chennai in August 2019, were found to weigh only 38.258 kilograms upon return. This indicated a loss of over 4.5 kilograms of gold—a discrepancy not reported by the Travancore Devaswom Board (TDB), the temple’s managing body.

**Accountability and Transparency**

The Kerala High Court questioned the temple administration about how such a significant quantity of gold could go missing. Emphasizing the importance of maintaining faith and transparency concerning temple properties, the court directed the Devaswom Vigilance to carry out a thorough investigation.

The vigilance team has been ordered to submit a detailed report within three weeks. Additionally, the court mandated an inspection of all other gold-plated items at the temple to ensure no further irregularities exist.

**Conclusion**

Sabarimala Temple remains one of India’s wealthiest religious institutions, with vast reserves of gold and silver and substantial annual donations. However, recent incidents highlighting discrepancies in gold reserves underline the necessity for enhanced transparency and robust oversight to maintain the trust of millions of devotees who regard the temple with deep reverence.
https://www.newsbytesapp.com/news/india/how-much-gold-silver-and-wealth-does-sabarimala-temple-hold/story

Preparations underway for Durga Puja in Delhi

With Durga Puja set to begin on September 28, preparations are in full swing across the country, and Delhi is no exception. In Safdarjung Enclave, one of the capital’s most iconic Durga Puja celebrations is gearing up for its 59th year, with this year’s pandal themed around Lord Vishnu.

Every year, the Matri Mandir pandal adopts a unique concept, and this year, organisers have chosen to pay tribute to Lord Vishnu. The pandal is currently being transformed into a divine spectacle, complete with intricate idols and symbolic motifs associated with the protector of the universe. Artisans from West Bengal have been working tirelessly for over 40 days, breathing life into the theme with traditional craftsmanship and cultural depth.

Thousands of devotees from Delhi and the NCR region are expected to flock to the Matri Mandir pandal during the festival to seek blessings from Goddess Durga and witness the grandeur of the themed decor.

Meanwhile, the festive spirit is building across India as Navratri approaches. Set to begin on September 22 and continue until October 2, Navratri brings with it nine nights of vibrant celebration, devotion, and cultural expression. From Gujarat’s energetic Garba nights to West Bengal’s elaborate Durga Puja celebrations, Navratri is a sensory celebration of faith and festivity.

Navratri, which means “nine nights,” is dedicated to Goddess Durga and her nine divine forms. Each day holds special significance, marked by a unique colour, ritual, and legend, blending spirituality with joy. The festival culminates with Vijayadashami, also known as Dussehra, symbolising the victory of good over evil.

The origins of Durga Puja lie deep within Hindu mythology, commemorating the fierce battle between Goddess Durga and the demon Mahishasura. Created by the gods to defeat the invincible demon, Durga’s victory marks the triumph of righteousness over tyranny—a message that continues to inspire millions.

*This story has been sourced from a third-party syndicated feed and agencies. Mid-day accepts no responsibility or liability for the dependability, trustworthiness, reliability, or accuracy of the text. Mid-day management and mid-day.com reserve the sole right to alter, delete, or remove (without notice) the content at their absolute discretion for any reason whatsoever.*
https://www.mid-day.com/news/india-news/article/navratri-2025-grand-preparations-underway-for-durga-puja-delhis-safdarjung-enclave-pandal-adopts-lord-vishnu-theme-23594860

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