movies - The Latremie Post

15 Must-Watch Sandra Bullock Movies: The Definitive Ranked List

Just as *The Big Bang Theory*’s Rajesh Koothrapali says, “Sandy B always brings it,” and she truly does. The well-known *Miss Congeniality* star Sandra Bullock is celebrated for her incredible acting versatility. She effortlessly jumps from one genre to another, drying your tears in a dramatic scene and making you laugh the next.

Here are Sandra Bullock’s movies that will take you on an emotional ride, ranked by Rotten Tomatoes ratings:

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### 1. Gravity (2013)
**Rotten Tomatoes Rating:** 96%
**Director:** Alfonso Cuarón

*Gravity* is a sci-fi thriller starring Sandra Bullock as Dr. Ryan Stone, a medical engineer stranded alone in space. The immersive 3D cinematography heightens the feeling of fear and total isolation portrayed throughout the film. Bullock’s performance is equally impressive, conveying clear desperation as she floats in the vast darkness of space.

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### 2. Speed (1994)
**Rotten Tomatoes Rating:** 95%
**Director:** Jan de Bont

This action-packed movie has been praised by critics and viewers alike for its thrilling premise centered on a life-threatening situation. Bullock plays Annie Porter, a passenger trapped inside a rigged bus. Her chemistry with co-star Keanu Reeves is electric, adding depth to their characters and elevating the suspense.

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### 3. While You Were Sleeping (1995)
**Rotten Tomatoes Rating:** 81%
**Director:** Jon Turteltaub

Sandra Bullock delves into romance as Lucy Eleanor Moderatz in *While You Were Sleeping*. Her heartwarming portrayal of a woman caught between lies and love is both charming and humorous, making the film a beloved romantic comedy classic.

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### 4. The Prince of Egypt (1998)
**Rotten Tomatoes Rating:** 79%
**Directors:** Simon Wells, Steve Hickner, and Brenda Chapman

*The Prince of Egypt* retells the biblical story of Moses, voiced by Val Kilmer. Sandra Bullock lends her voice to Miriam, Moses’ devoted eldest sister. Her warm and sincere vocal performance perfectly captures Miriam’s caring and protective nature.

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### 5. The Lost City (2022)
**Rotten Tomatoes Rating:** 79%
**Directors:** Adam and Aaron Nee

In *The Lost City*, Bullock plays Loretta Sage, a reclusive romance novelist who unexpectedly embarks on a wild adventure with Dash McMahon (Channing Tatum), the man who inspired the hero of her books. Bullock’s charm shines through with wit and intellect, perfectly suited for this romantic comedy.

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### 6. Crash (2004)
**Rotten Tomatoes Rating:** 74%
**Director:** Paul Haggis

*Crash* is a controversial film addressing race, bigotry, and discrimination in Los Angeles through interwoven stories. Bullock portrays Jean Cabot, a wealthy white woman involved in a tense carjacking. Her body language and facial expressions deliver raw vulnerability and fear, hallmarks of Bullock’s acting prowess.

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### 7. Infamous (2006)
**Rotten Tomatoes Rating:** 74%
**Director:** Douglas McGrath

*Infamous* tells the story of authors Truman Capote (Toby Jones) and Harper Lee (Sandra Bullock) as they befriend convicted murderer Perry Smith (Daniel Craig). Bullock shines in a supporting role, embodying Lee’s subtlety, grace, and quiet strength.

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### 8. Ocean’s Eight (2018)
**Rotten Tomatoes Rating:** 68%
**Director:** Gary Ross

*Ocean’s Eight* puts the spotlight on an all-female heist crew led by Sandra Bullock as Debbie Ocean, sister to Danny Ocean (George Clooney). Bullock’s confident and charismatic leadership makes her character unforgettable as they plot a high-stakes robbery during the Met Gala.

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### 9. A Time to Kill (1996)
**Rotten Tomatoes Rating:** 67%
**Director:** Joel Schumacher

In *A Time to Kill*, Bullock portrays a determined law student assisting Carl Lee Hailey (Samuel L. Jackson), a father seeking justice for his daughter. Her empathy and strong chemistry with Matthew McConaughey’s defense attorney character deepen the emotional impact of this gripping drama.

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### 10. The Blind Side (2009)
**Rotten Tomatoes Rating:** 66%
**Director:** John Lee Hancock

Bullock’s role as Leigh Anne Tuohy in *The Blind Side* highlights her ability to portray powerful, inspiring characters. She delivers warmth and compassion as a mother who opens her home to Michael Oher (Quinton Aaron), a homeless teen, illustrating the transformative power of kindness.

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### 11. The Heat (2013)
**Rotten Tomatoes Rating:** 66%
**Director:** Paul Feig

Showing another facet of her talent, Bullock stars as FBI Special Agent Sarah Ashburn in *The Heat*. Her sharp comedic timing and sarcastic wit paired with Melissa McCarthy’s energy make this action-comedy a memorable and hilarious experience.

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### 12. Bird Box (2018)
**Rotten Tomatoes Rating:** 64%
**Director:** Susanne Bier

The chilling thriller *Bird Box* owes much of its popularity to Bullock’s compelling performance as Malorie Hayes. Balancing intense fear and inner strength, she drives the suspenseful story while navigating a post-apocalyptic world blindfolded for most of the film.

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### 13. Demolition Man (1993)
**Rotten Tomatoes Rating:** 62%
**Director:** Marco Brambilla

In this action sci-fi film, Bullock plays Lenina Huxley, a young police officer eager to prove herself. Her energetic and charming portrayal complements the roles of Sylvester Stallone and Wesley Snipes in this high-concept futuristic thriller.

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### 14. Wrestling Ernest Hemingway (1993)
**Rotten Tomatoes Rating:** 59%
**Director:** Randa Haines

Bullock plays Elaine, a waitress who forms a bond with two retired men, Walter (Robert Duvall) and Frank (Richard Harris). Despite being a supporting character in a story centered on male friendship, Bullock brings authenticity and warmth to her role.

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### 15. The Thing Called Love (1993)
**Rotten Tomatoes Rating:** 57%
**Director:** Peter Bogdanovich

Although not the lead, Bullock’s role as Linda Lue Liden adds to the vibrant depiction of the country music scene. Her bubbly and energetic performance as a supportive friend enriches the film’s dynamic and atmosphere.

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### Final Thoughts

Sandra Bullock’s diverse filmography showcases her remarkable ability to move effortlessly between genres, bringing depth and authenticity to every character she portrays. Whether you’re in the mood for suspense, romance, comedy, or drama, there’s a Sandra Bullock movie for every emotional journey.

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*Bonus Insight:*
Recently, I came across an online discussion revealing surprising behind-the-scenes personalities of some beloved celebrities. It was eye-opening to learn how different their off-screen personas are from the ones we admire on the big screen—reminding us that fame often comes with hidden complexities.
https://radicalfire.com/sandra-bullock-movies/

EXCLUSIVE: Kardashian Beauty War Erupts! Kim and Kylie Jenner Feel ‘Betrayed’ Over Momager Kris Signing as the New Face of MAC Cosmetics After Undergoing $150K Facelift

**Kardashian Family Drama: Kim and Kylie Furious Over Kris Jenner’s New MAC Cosmetics Deal**

*Published: October 27, 2025, 6:15 a.m. ET*

Things aren’t so pretty inside the beauty world of the Kardashians. RadarOnline.com can reveal that beauty entrepreneurs Kim Kardashian and Kylie Jenner are furious that their momager, Kris Jenner, 69, has signed on as the new face of MAC Cosmetics — flaunting her post-facelift glow.

**Kim Feels Betrayed**

“Kim feels betrayed,” claimed a family insider. “She built her beauty line from scratch, only to have her own mother jump in bed with the competition.”

Kylie is also feeling the sting. Her billion-dollar Kylie Cosmetics empire launched the family’s makeup dynasty, making Kris’ move all the more controversial.

**Kris Jenner’s MAC Deal Sparks Concern**

“It’s one thing for Kris to chase new deals,” said a source. “But to align with a brand that’s directly competing with two of her daughters? That’s a whole new level of cold.”

Despite the backlash, Kris is apparently unapologetic. “It’s just business,” claimed a beauty insider.

**Post-Facelift Glow or Cause for Concern?**

Kris’ new deal comes after she sparked widespread concern following her latest facelift, which some critics described as “drooping.”

“She’s invested in top-tier procedures from the best surgeons in the business, so people are surprised to see her appearance shifting so soon,” explained an insider close to the Kardashian family.

They added, “Kris takes enormous pride in looking flawless, and the talk about her face ‘drooping’ has really shaken her. Her biggest fear is crossing that line into the overly done, Michael Jackson-type territory where she has gotten so many surgery top-ups her face starts to fall apart—just like his literally did by the end.”

As the Kardashian-Jenner beauty empire continues to dominate the industry, this latest family drama highlights the complex dynamics behind the scenes. Only time will tell how Kris’ new partnership with MAC Cosmetics will affect their already competitive beauty legacy.
https://radaronline.com/p/kardashian-beauty-war-kris-mac-deal-facelift/

Ryan Coogler Talks ‘Sinners,’ ‘X-Files’ Reboot & More In New Interview

Director Ryan Coogler recently sat down with Variety for an in-depth discussion about his latest projects.

During the interview, Coogler spoke about his hit film *Sinners*, sharing insights into its creation and the themes explored in the movie.

He also opened up about the upcoming *X-Files* reboot he is working on, providing fans with exciting details about what to expect from the new series.

Beyond these projects, Coogler touched on his creative process and future aspirations in the film industry.

Stay tuned for more updates as these projects continue to develop.
https://hiphopwired.com/2878066/ryan-coogler-talks-sinners-x-files-reboot-more-in-new-interview/

All 3 ‘WandaVision’ Spinoffs and Continuations and How to Watch Them

**The Marvel Cinematic Universe’s “Vision Trilogy” Is Coming to a Close**

The “Vision Trilogy” of the Marvel Cinematic Universe (MCU) is drawing to a close very soon. This unique trilogy of shows — all centered around Wanda Maximoff, a.k.a. Scarlet Witch — is also connected to one MCU movie. Each installment explores the aftermath of *Avengers: Infinity War*, following the tragic death of Wanda’s lover, Vision, at the hands of the villain Thanos.

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### What is the “Vision Trilogy”?

– **WandaVision (2021)**: Vision was reanimated in this groundbreaking TV series which blends classic television styles with the MCU.
– **Doctor Strange in the Multiverse of Madness (2022)**: This MCU movie features an epic confrontation between Scarlet Witch and Doctor Strange, continuing Wanda’s story in the cinematic realm.
– **Agatha All Along (2024)**: A series that continues the narrative from *WandaVision*, focusing on the infamous witch Agatha Harkness.

Soon, the trilogy (or is it a quadrilogy?) will conclude with *VisionQuest*, set to premiere next year. Below are the official synopses and trailers for each installment.

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### WandaVision

*Marvel Studios presents “WandaVision,” a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany) — two super-powered beings living idealized suburban lives — begin to suspect that everything is not as it seems.*

The series is streaming now on **Disney+**.

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### Agatha All Along

*The infamous Agatha Harkness finds herself down and out of power after a suspicious goth Teen helps break her free from a distorted spell. Her interest is piqued when he begs her to take him on the legendary Witches’ Road, a magical gauntlet of trials that, if survived, rewards a witch with what they’re missing. Together, Agatha and this mysterious Teen pull together a desperate coven and set off down, down, down The Road.*

The series is also streaming now on **Disney+**.

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### VisionQuest

While not much is known about *VisionQuest* yet, and a trailer has not been released, footage shown at New York Comic Con suggests that the evil White Vision will grapple with the fallout of *WandaVision*. His original body (Red Vision) died, but he regained all of his memories.

Series star Paul Bettany shared insights about the show during NYCC:
*“What’s different about Vision right now is that Red Vision gave Vision all of his memories, including the memories from within the Hex. But White Vision is having real difficulty connecting to them,”* he explained.
*“So he has the memories, but he doesn’t have the emotions and the feelings, and I think that’s what the journey is. White Vision’s journey during the show is about his attempt to connect to those memories and who he was… but with lasers!”*

Stay tuned for more updates and the official trailer as the series approaches its release next year.

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**Catch up on the entire Vision saga now and prepare for what promises to be an exciting conclusion to this compelling chapter of the Marvel Cinematic Universe!**
https://popculture.com/streaming/news/all-3-wandavision-spinoffs-and-continuations-and-how-to-watch-them/

‘Frozen 3’: Kristen Bell Has Seen Script, Says Cast Begins Production ‘Soon’

Winter is coming. Kristen Bell has revealed that the cast of “Frozen 3” will “soon” begin production on the highly anticipated third installment of the hit animated movie musical franchise.

Although Bell, who voices Anna, hasn’t heard any of the new songs for “Frozen 3,” she disclosed that she has seen the script. “That’s all I can say. I’m under lock and key,” she explained, adding some insight into the script development process.

“It’s all mostly like concept stuff in the beginning like, ‘Here’s where we think it should go,’” Bell said. “That’s the one great thing about Disney — it goes through a thousand filters, not to be diplomatic, but because everyone’s going to add something different. That’s why the movies play so well because they hit every single mark; nothing has been missed.”

“Frozen 3” is slated for release in 2027. Visual development art unveiled in August 2024 offers a glimpse into the film, featuring Elsa (Idina Menzel) on a white horse and Anna on a brown stag.

The original “Frozen” was written and co-directed by Jennifer Lee alongside Chris Buck. The Oscar-winning animated feature, as well as its 2019 sequel “Frozen II,” are set in the fictional kingdom of Arendelle and feature a voice cast led by Bell, Menzel, Jonathan Groff as Kristoff, and Josh Gad as the lovable snowman Olaf. The first “Frozen” premiered in 2013, followed by the sequel six years later.

I caught up with Bell on Thursday night at the “Nobody Wants This” Season 2 premiere at the Egyptian Theatre in Hollywood. The show, which follows two sisters who co-host a podcast, features a guest appearance by Leighton Meester, wife of Bell’s co-star Adam Brody, in its second season.

When asked about her husband Dax Shepard potentially appearing on the show, Bell was candid. “He probably ‘never’ will,” she said. “He likes podcasting,” referring to Shepard’s popular series, *Armchair Expert With Dax Shepard.*

“But it’s still acting and there’s a whole thing that comes along with that. It’s like you have to do hair and makeup, memorize the lines, and then you’re there all day,” Bell continued. “He’s so happy and content with his career. I mean, he would if I asked him, obviously, but I don’t want him to do anything he isn’t craving.”

“Nobody Wants This” Season 2 premieres on Netflix on October 23. Fans can look forward to more heartfelt storytelling and compelling performances from Bell and the cast.
https://variety.com/2025/film/columns/kristen-bell-frozen-3-script-filming-soon-1236555198/

Roofman Aims High

**Roofman**

Putting aside the fact that the early 2000s serve as a nostalgia-trip backdrop—which makes me feel old and sad indeed—purporting to be “a true story,” as this movie does, is often cause for concern. It might be a function of my innate formalism or ongoing, probably misplaced umbrage at the paucity of original screenplays being brought to life, but the blurred line between recorded and recreated events can be problematic.

Hypocritical, I know, as some of my favorite movies are lightly fictionalized relitigations of contemporary events. The heart of the problem might be in the frequent overreliance on the audience’s memory, which becomes a shortcut to bypass the hard work of imagination and craft.

Fortunately, *Roofman* comes from Derek Cianfrance, a “don’t make ’em like they used to” sort of filmmaker with a humanist streak whose lineage would seem to run back to Cassavetes and Capra. I can’t call myself a completist of his work (a little shameful, given that he only has a handful of director credits), but I’ve been an admirer since *Blue Valentine* (2010), which cemented Cianfrance as an artist insistent on naturalistic intimacy, both in terms of aesthetic and performance.

With *The Place Beyond the Pines* (2012), he broadened the scope of his work with an ambitious, multigenerational crime story that may not, ultimately, live up to its own grandiosity. Still, it’s a vivid, often transfixing work, defined by still beauty, heart-wrenching performances, and breathtaking, whirlwind action sequences.

Maybe more to the point, the narrative driving it draws deeply on themes of oppressive systems of power and people actively resistant to that oppression. In plain language: criminals. But Cianfrance is more interested in inner light, desperation, and all of that than he is in labels.

That sensibility is ideally suited to the fictionalization of the story of Jeffrey Manchester (Channing Tatum), a hard-luck case who would eventually come to be known as the Roofman. As the movie opens, we see Manchester hacking his way through the roof of a North Carolina McDonald’s. We learn, soon enough, that this had become something of a trademark, as he successfully robbed between 40 and 60 of the fast food joints (among others) during a multi-year spree.

To paraphrase a cop on his trail, Manchester is probably a genius, but also pretty dumb. A U.S. Army veteran, survival specialist, and keen observer, Manchester—as Tatum portrays him—has fallen into the socioeconomic pit that, 20 years ago, we hardly knew the depths of.

Opportunity and earning potential limited by his past and his proclivities, he turned to robbery to provide a better life for his growing family. And it worked until he got caught. Perhaps partially because he was, by all accounts, too nice for a life of crime.

But his practicality, training, and resistance to captivity kick in, and he soon enough finds a hidey-hole behind the bikes in a Toys ‘R Us, where he hacks the security system and takes up residence.

At first, sleeping under a Spiderman blanket and living on peanut M&Ms is something of a dream come true, but eventually Jeff succumbs to the need to venture out and becomes entwined with a Toys ‘R Us employee named Leigh (Kirsten Dunst), her family, and her church. It’s a dangerous move, to say the least, but it speaks as much to the man’s innate humanity and humaneness as it does to simple boredom.

No good deed going unpunished and all things coming to an end, though, our protagonist eventually realizes the scene is still too hot for him to stick around, and a complicated situation becomes wildly entropic.

Without the steadfast empathy of a director like Cianfrance and the consummate expressiveness of an actor like Tatum (who I don’t think gets his due as one of the great performers of deep sadness), this could be Lifetime movie pap. But presented as it is, with such intimacy, care, and kindness, it expands within itself: a caper movie turned romantic comedy turned exegesis on the notion of justice.

It moves beyond its own scenario to illuminate the hearts of its characters, even giving Peter Dinklage’s dickish store manager Mitch a minor moment of transcendence.

Even though it could be mired in hopelessness, *Roofman* moves deftly from beat to beat on a current of beautiful, muted optimism that speaks to the potential inborn goodness of the species. And in a moment when that impulse seems more obscured than ever, that is, as Carver put it, a small, good thing.

**Rated R, 126 minutes**
**Now Playing: Broadway Theatre**

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**John J. Bennett** (he/him) is a movie nerd who loves a good car chase.

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### Now Playing in Theatres

**Black Phone 2**
Scary sequel for the kids, now teens, getting supernatural calls and pursued by the masked Grabber (Ethan Hawke).
Rated R, 114 minutes. — Broadway, Minor

**The Conjuring: Last Rites**
One last exorcism for the road.
Rated R, 135 minutes. — Broadway

**Demon Slayer: Kimetsu no Yaiba Infinity Castle**
The Demon Slayer Corps in an animated action adventure.
Rated R, 155 minutes. — Broadway

**Gabby’s Dollhouse: The Movie**
Semi-animated adventure with a girl (Laila Lockhart Kraner) on the hunt for the magical dollhouse an evil cat lady (Kristen Wiig) stole from her.
Rated G, 98 minutes. — Broadway

**Good Boy**
Haunted house horror from the dog’s point of view—and if he doesn’t survive, I will tear the building down with my hands.
Rated PG-13, 72 minutes. — Broadway

**Good Fortune**
Keanu Reeves as a bumbling angel meddling with mortals Aziz Ansari and Seth Rogen.
Rated R, 98 minutes. — Broadway

**The Long Walk**
Young men embark on a dystopian death march in a FitBit nightmare from Stephen King.
Rated R, 108 minutes. — Broadway

**One Battle After Another**
Locally filmed comedy/action/drama with Leonardo DiCaprio in Humboldt drag as an ex-revolutionary single dad searching for his daughter.
Rated R, 161 minutes. — Broadway, Minor

**Pets on a Train**
Animated animal heist voiced by Damien Ferrette, Hervé Jolly, and Kaycie Chase.
Rated PG, 99 minutes. — Broadway

**Soul on Fire**
Wild title choice for the inspiring story of a burn victim (Joel Courtney) turned motivational speaker.
Rated PG, 111 minutes. — Broadway

**Spirited Away**
Hayao Miyazaki animated fantasy about a girl whose parents are transformed before she’s brought to work in a supernatural spa.
Rated PG, 125 minutes. — Broadway, Minor

**Tron: Ares**
Virtual video game laser-motorcycle-death-Frisbee sequel with Jared Leto.
Rated PG-13, 119 minutes. — Broadway (3D), Minor

**Truth and Treason**
A German teen (Ewan Horrocks) works against the Nazis. But, like the vintage German ones.
Rated PG-13, 120 minutes. — Broadway

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**For showtimes, call:**
Broadway Cinema: (707) 443-3456
Minor Theatre: (707) 822-3456

*This article appears in Protecting the Night.*
https://www.northcoastjournal.com/arts-scene/screens/roofman-aims-high/

EXCLUSIVE: Thamma vs Ek Deewane Ki Deewaniyat screen-sharing battle begins; makers of Ayushmann Khurrana-starrer demand ALL shows in single and two-screen cinemas

The much-anticipated Diwali releases, **Thamma** and **Ek Deewane Ki Deewaniyat**, are just days away, and the excitement across the trade, industry, and audiences is palpable. As with every major festive clash, the battle for screens has intensified.

Bollywood Hungama has learned that the first round of this tussle between the distributors of both films has already begun.

### EXCLUSIVE: Thamma vs Ek Deewane Ki Deewaniyat Screen-Sharing Battle Begins

The makers of the Ayushmann Khurrana-starrer **Thamma** have reportedly demanded **all shows** in single and two-screen cinemas for their release.

A trade source informed Bollywood Hungama, “*Thamma*, starring Ayushmann Khurrana and Rashmika Mandanna, is being distributed by PVR Inox Pictures. Its distributor-partner in the Mumbai circuit, August Entertainment, has sent a mail to cinemas in the territory outlining their screen-sharing requirements.”

According to the mail, August Entertainment has requested:

– All shows in single-screen cinemas and two-screen theatres.
– 12 shows in three-screen multiplexes, meaning 100% showcasing on two of the three screens, plus one or two shows on the third screen.

The mail further specifies show requirements for larger multiplexes as follows:

– 15 shows in four-screen theatres
– 18 shows in five-screen cinemas
– 21 shows in six-screen multiplexes
– 24 shows in seven-screen multiplexes
– 27 shows in eight-screen multiplexes
– 30 shows in nine-screen multiplexes
– 33 shows in ten-screen theatres

It is important to note that this move has come directly from August Entertainment, which is handling the release of *Thamma* in the Mumbai circuit. How distributors in other regions respond, and whether they follow suit with similar demands, remains to be seen.

### Exhibitors Express Reservations

Exhibitors have voiced concerns about the aggressive screen-sharing demands. One exhibitor told us,
“We would definitely want to show *Thamma* as it looks exciting. But single-screen cinemas should also be given a chance to play *Ek Deewane Ki Deewaniyat*. In fact, it’s the single-screen theatres where the Harshvardhan Rane film can score big time.”

They added, “Let’s not forget that the Marathi film *Premachi Goshta 2* and the Gujarati film *Chaniya Toli* are also slated for release this Diwali. Some cinemas would want to accommodate these films as well. Hence, we hope a solution can be found.”

Another exhibitor remarked,
“The mail from August Entertainment mentions that the rule exists only for non-PVR, non-Inox, and non-Cinepolis cinemas. We feel it’s not fair and it should be uniform for all cinemas.”

### Trade Expert Weighs In

A trade expert commented,
“Just a few weeks ago, during the *Kantara: A Legend Chapter 1* vs *Sunny Sanskari Ki Tulsi Kumari* clash, the makers of *Kantara* asked for 100% shows in single-screen, two-screen, and three-screen cinemas. Even in theatres with four screens and more, they demanded nearly 80-90% of showcasing. At least, the distributors are being more reasonable in the case of *Thamma*.”

—

**Also Read:**
[Ayushmann Khurrana flashes fake vampire teeth as he and Rashmika Mandanna promote Thamma in Delhi]

**More Pages:**
[Ek Deewane Ki Deewaniyat Box Office Collection] | [Bollywood News Live Updates]
https://www.bollywoodhungama.com/news/bollywood/exclusive-thamma-vs-ek-deewane-ki-deewaniyat-screen-sharing-battle-begins-makers-ayushmann-khurrana-starrer-demand-shows-single-two-screen-cinemas/

Anna Kendrick’s stunning evolution from musicals to movies

**Anna Kendrick’s Stunning Evolution from Musicals to Movies**
*By Vinita Jain | Oct 13, 2025, 02:42 pm*

From a Broadway star to an Oscar nominee, Anna Kendrick has come a long way. The actor, who began her career in musicals, has now made a significant mark in the OTT world with her compelling performances. Her journey from stage to screen is a testament to her versatility and talent. With each role, she has demonstrated an impressive ability to adapt and grow, making her one of the most sought-after actors today.

### Early Beginnings on Broadway

Kendrick’s career took off on Broadway, where she was praised for her vocal prowess and acting skills. She was just 12 years old when she made her debut in the musical *High Society*. This early exposure to the stage played a crucial role in honing her skills, which later translated seamlessly into her film roles. The experience taught her the nuances of performance—an asset she has carried throughout her career.

### Transitioning to Film Success

Following her Broadway achievements, Kendrick made a smooth transition into films. She gained widespread recognition for her role in *Up in the Air*, which earned her an Oscar nomination. This milestone marked a turning point in her career as she shifted from stage performances to significant film roles. Her ability to bring characters to life across diverse genres has been evident in every project she undertakes.

### Embracing OTT Platforms

In recent years, Kendrick has embraced OTT platforms like Netflix and Hulu, which have opened new avenues for storytelling and character exploration. Her performances in series such as *Love Life* have been widely praised for their depth and nuance. By adapting to these new media formats, Kendrick continues to reach global audiences while showcasing the full range of her acting talents.

### Future Projects and Possibilities

As Kendrick continues to explore new projects, fans eagerly anticipate what lies ahead for this talented actor. With every role she takes on, it becomes clear that there are no limits to what she can achieve in both film and television. Her journey so far has been nothing short of inspiring, proving that a combination of hard work and passion can lead to success in any industry.
https://www.newsbytesapp.com/news/entertainment/anna-kendrick-s-ott-journey-a-transformation/story

Madhur Bhandarkar objects to Chandni Bar Returns; producers claim legal rights secured

**Madhur Bhandarkar Raises Objection to Title ‘Chandni Bar Returns’; Producers Claim Legal Rights Secured**

Filmmaker Madhur Bhandarkar has expressed objections to the use of the title *Chandni Bar Returns* by producer Sandeep Singh and director Ajay Bahl. Bhandarkar, who directed the original *Chandni Bar* (2001) starring Tabu, has lodged a complaint with the Indian Motion Picture Producers’ Association (IMPPA). He claims the makers of the sequel are using his registered title without proper consent.

The 2001 drama, which won multiple National Awards and established Bhandarkar’s name in Indian cinema, remains one of his most acclaimed works. In his complaint, he alleged that the title *Chandni Bar* belongs to him, and that Singh and Bahl have proceeded without authorisation.

Following Bhandarkar’s grievance, IMPPA has reportedly instructed the makers to halt the use of the title until the dispute is resolved.

### Producers Respond with Legal Clarification

In response, Sandeep Singh’s Legend Studios issued an official statement countering Bhandarkar’s claims. The studio asserted that they hold all necessary rights to proceed with the project.

Legend Studios clarified that they acquired the option rights to the title from the original producers of *Chandni Bar*, represented by the late R. Mohan’s wife, Lata Mohan Iyer. She is listed as the proprietor in the Government of India’s Trademark Registry.

Co-producer Vishal Gurnani stated:
“Sandeep Singh’s Legend Studios has acquired the Option Rights of the said title from the Original Producers, who are also the owners of the Registered Trademark and IP rights of the original cult classic *Chandni Bar* (2001). We want to state that no other banner can legally make the said film. Our IP lawyers are replying to the concerned trade associations and are taking all necessary steps to validate and protect our legal rights.”

Additionally, the studio shared the official trademark certificate (Application Number 1662053, Class 41), listing Lata Mohan Iyer as the proprietor, substantiating their claim to the title.

### The Road Ahead for *Chandni Bar Returns*

Despite Bhandarkar’s objection, Legend Studios has confirmed that the sequel is moving forward. Directed by Ajay Bahl, *Chandni Bar Returns* is slated for a worldwide release on December 3, 2026.

The makers describe the film as a reimagined sequel that will retain the essence of the original while presenting a modern, gritty narrative tailored for contemporary audiences. Legend Studios emphasizes its commitment to honoring the legacy of the 2001 classic while ensuring that the production of *Chandni Bar Returns* remains legally compliant and respectful of the original’s cultural impact.

—

**Also Read:**
[Ankita Lokhande turns producer with Chandni Bar sequel; says she wants to pave the way for newcomers]

—

**More Pages:**
– Chandni Bar Box Office Collection
– Bollywood News Live Updates
https://www.bollywoodhungama.com/news/bollywood/madhur-bhandarkar-objects-chandni-bar-returns-producers-claim-legal-rights-secured/

‘Baahubali’ films disappear from Netflix ahead of ‘Baahubali: The Epic’

**‘Baahubali’ Films Disappear from Netflix Ahead of ‘Baahubali: The Epic’ Theatrical Release**

*By Isha Sharma | October 5, 2025, 2:14 PM*

The beloved *Baahubali* films, directed by SS Rajamouli, have suddenly disappeared from Netflix as fans eagerly await the grand theatrical release of *Baahubali: The Epic* scheduled for October 31. This special edition will combine the two-part saga into a single cinematic experience, aiming to captivate audiences like never before.

Starring Prabhas, Anushka Shetty, and Rana Daggubati, the *Baahubali* franchise has amassed a massive fan following since its initial releases. However, as of now, both films are no longer searchable on Netflix and often trigger the message: “Oh no! This title currently isn’t available to watch in your country.”

This unexpected disappearance has sparked widespread discussion on social media. Some speculate it may be a marketing strategy designed to build buzz ahead of the theatrical release, while others believe the streaming rights to the films have simply expired. An X user commented, “Netflix does this with every movie… They keep and delete as per their wish,” while another noted, “Nah, Baahubali contract is ended now.”

### About *Baahubali: The Epic*

*Baahubali: The Epic* is a remastered and recut version that combines *Baahubali: The Beginning* (2015) and *Baahubali: The Conclusion* (2017) into one seamless film. SS Rajamouli announced this special theatrical release on X (formerly Twitter) earlier this year to celebrate the 10th anniversary of the franchise.

Despite their removal from Netflix, the *Baahubali* films remain available for streaming on platforms like SonyLIV and JioHotstar. This availability on other services has only added to the speculation surrounding Netflix’s decision to remove the titles.

Fans eagerly await the upcoming release, which promises an unparalleled epic retelling of one of Indian cinema’s most iconic sagas. Stay tuned for more updates as October 31 approaches.
https://www.newsbytesapp.com/news/entertainment/baahubali-movies-removed-from-netflix-ahead-of-re-release/story