Good fortune on gig economy

One of the more delightful mainstream films at the 50th Toronto International Film Festival (TIFF) was *Good Fortune*, an American film in English featured in a Gala presentation. Directed by American comedian Aziz Ansari, who has roots in Tamil Nadu, the film also stars Keke Palmer and Sandra Oh. *Good Fortune* is scheduled for a worldwide theatrical release, including in India, on October 17, 2025.

From the South Asian diaspora at TIFF, two diverse features explored the evils of capitalism. One of these was Aneil Karia’s *Hamlet*, presented as a Centrepiece film. This powerful British adaptation of Shakespeare’s great tragedy is performed in both Punjabi and Shakespearean English, starring Riz Ahmed and Sheeba Chaddha.

*Good Fortune* continues the growing trend of comedians becoming film actors, stars, and directors—following in the footsteps of icons such as Charlie Chaplin, Chris Rock, and Jordan Peele. This mirrors a historical shift when singers became film stars with the advent of sound in cinema, a trend also seen with India’s own Kapil Sharma.

The story centers on an angel named Gabriel (played by Keanu Reeves), a lowly angel with small wings whose duties are limited to preventing people from texting and driving simultaneously. Gabriel’s life changes when he observes the struggles of Arj (Aziz Ansari), a gig worker delivering for an app-based company. Arj juggles multiple shifts, barely manages to feed himself, and is forced to sleep in his car, which eventually gets towed due to unpaid parking tickets.

Out of compassion, Gabriel swaps lives with Jeff (Seth Rogen), a wealthy venture capitalist whose California mansion Arj regularly delivers goods to. Gabriel expects that Arj will soon realize the flaws of the wealthy, carefree life and want to swap back to his humble existence. However, to Gabriel’s surprise, Arj enjoys his new life—sipping cocktails by the pool—and has no intention of returning to his previous hardships.

The film’s narrative borrows elements from several classics: Wim Wenders’ *Wings of Desire* (1987), where an angel comes to Earth; the body-swap comedy *Freaky Friday*; and nods to Frank Capra’s *It’s a Wonderful Life*, in which a man contemplating suicide reconsiders after reflecting on his selfless acts and the impact he has made.

*Good Fortune* employs some narrative back-and-forth, with Gabriel visible only to Arj, mixing laugh-out-loud comedy with poignant moments. The film highlights the hearts of gold found at the bottom of the gig economy—such as Arj’s on-again, off-again partner, who dreams of starting a union to fight for workers’ rights, not just for those fortunate enough to currently benefit.

Keanu Reeves’ deadpan portrayal of the angel anchors the film, while Seth Rogen delivers a dry wit in his role. Aziz Ansari, who co-created and directed 11 episodes of the critically acclaimed Netflix series *Master of None*, as well as his 2022 comedy special *Nightclub Comedian*, brings his distinct voice to this project.

Presented by Lionsgate, *Good Fortune* is backed by producers Aziz Ansari, Anthony Katagas, and Alan Yang. Executive producers include Aniz Adam Ansari, Jonathan McCoy, Christopher Woodrow, and Connor DiGregorio. In India, the film will be distributed by PVR INOX Pictures.

Meenakshi Shedde, a film curator with 30 years of experience working with Toronto, Berlin, and other international film festivals, has played roles such as Cannes Film Festival Jury Member and Golden Globes International Voter. She is also a respected journalist and critic. You can reach her at meenakshi.shedde@mid-day.com.
https://www.mid-day.com/news/opinion/article/good-fortune-on-gig-economy-23595011

Australian singer quits Russia’s Eurovision alternative

Intervision, the Russian alternative to the Eurovision Song Contest, has kicked off in Moscow with a message from President Vladimir Putin. He emphasized that the event promotes the preservation of cultural identity. “Respect for traditional values and the diversity of cultures is the fundamental idea of the competition and inspires participants to achieve artistic heights,” Putin stated.

The musical competition features 23 countries and is being held at the Live Arena concert hall in Moscow, with an audience of approximately 11,000 spectators, according to the organizers.

Shortly before the performance of Australian-born singer Vasiliki Karagiorgos, known as Vassy, who was set to represent the United States, the hosts announced her withdrawal from the contest. The organizers, confirming that Vassy holds US citizenship, attributed her removal to alleged “unprecedented political pressure from the Australian government.”

Vassy was originally a replacement candidate after the initially announced US entrant, musician B Howard (Brandon Howard), withdrew on Wednesday due to “unforeseen family reasons.”

Russia’s state-run Channel One is broadcasting the three-and-a-half-hour show. The winner will be decided by an international jury composed of representatives from the participating countries. These include former Soviet republics such as Belarus, Kazakhstan, and Uzbekistan, as well as Russia’s allies within the BRICS group—China, India, Brazil, and South Africa.

Unlike Eurovision, Intervision does not allow public voting. Russia has been barred from participating in Eurovision since 2022, following its full-scale invasion of Ukraine.

Intervision is widely seen as President Putin’s conservative counter-project to Eurovision. Reflecting this stance, Foreign Minister Sergei Lavrov remarked, “There will be no perversions or mockery of human nature.”
https://www.perthnow.com.au/entertainment/australian-singer-quits-russias-eurovision-alternative-c-20091310

This photo with my baby used to scream ‘failure’. Now, I am viewing it differently

There’s a saying among parents that you don’t get a true, proper night’s sleep until your last child moves out of home. Always worrying, always wondering.

My daughter has always been a patchy sleeper. Given my own sleep habits—early riser, over-thinker—it was almost inevitable. My mother calls it the universe’s revenge for what I put her through.

I gave birth to my daughter in the bleakest of winters, during the longest COVID-19 lockdown in the world. For more than 1,200 days, sleep—hers, mine, getting it, protecting it, prolonging it—has dogged my thoughts and drained my reserves.

I often look at a cute photo of us napping together, taken by her father when she was one month old. What to some looks so natural has always looked like failure to me, for I, too, pledged before having kids to never become one of those parents who let their baby in bed with them.

Yet about two months ago, coinciding with my husband and me tag-teaming on some work travel, my daughter started coming to our bed in the middle of the night.

Surely, I thought, once the family was reunited, her sleep would return to normal. But it didn’t. Night after night, she would pad to our room in the darkness, water bottle and teddy in hand, to take up residence on three-quarters of my pillow.

At first, we did what we’d always done in this situation: the lonely dance of returning and resettling her to her own bed. But by the two-week mark, I was a nervous wreck.

Sleep-deprived and on edge, I’d even come to dread my own bedtime, fretting over when, not if, I’d be woken. I sleep-walked through work in a foggy, jet-lag-like haze. I cancelled plans with friends; my mental health nosedived. Something had to change.

It was around that time I heard about the self-help author and podcaster Mel Robbins, who coined the popular “Let Them” theory—a mindset tool that teaches us to stop wasting time and energy on things we can’t control.

I asked my husband, what if, instead of resisting our daughter’s desire to sleep with us and driving ourselves mad, we set new boundaries? What if, just for a while, we welcomed her into our bed?

Of course, arriving at this decision wasn’t quick or stress-free. Mention co-sleeping in the presence of three parents, and you will likely get five opinions. It’s a bit controversial, and one of the top “I will nevers” said by prospective parents (see also: dummies, screen time, and sugar).

But why, I started wondering, when history and numerous cultures have shown us that co-sleeping is considered normal? And more, when done safely within SIDS guidelines with babies and children older than 12 months, it can be a sleep and life saver.

Jazz Kostov, a Melbourne-based midwife and author of *Let’s Sleep: The First Year*, says:
“We need to remove the guilt around [co-sleeping] and acknowledge how normal it actually is.” Amen.

Other sleep experts, too, are gradually coming on board.

Professor Sarah Blunden, a clinical psychologist who researches children’s sleep, says there is growing scientific evidence around the lack of harm caused by co-sleeping (and even some benefits), but social attitudes have been slower to catch up.

Woolcock Institute of Medical Research paediatric and adolescent sleep physician Dr Chris Seton prefers the term bed sharing and says co-sleeping is unfairly stigmatised.

He says families need to consider both the positives—co-sleeping is nurturing, bonding, warm, and cute—and the negatives: it’s hard to reverse (Seton says the most common age of children who co-sleep is nine), it can be disruptive, and kids can move around a lot.

But, he says, by no means do the negatives outweigh the positives.

In trying to reframe my feelings about my daughter’s sleep, I proposed some rules:

1. Our daughter always goes to bed in her room.
2. If she comes in quietly, with minimal fuss, she can stay in our bed as long as she likes.
3. If she comes in wound up or distressed, other than from sickness, we take turns putting her back to her bed.

Some people have told me I am asking for trouble or creating a rod for my own back (Seton says there is no truth to the claim that co-sleeping creates weak or wimpy kids).

But as I find more confidence in divulging my secret to fellow mums and friends, I am more often being met with sympathy—and even similar experiences.

At a recent children’s birthday party, I met a lady who asked if my daughter slept through the night. I confessed that sometimes she ended up in our bed.

“Me too,” the mother whispered, reinforcing many experts’ belief that co-sleeping is more widespread than we may believe.

As the weeks roll by, I feel like less of a failure.

As my daughter—funny, independent, mature beyond her years—grows, it’s unlikely she will want to sleep with me forever. But where I once reacted with dread and feelings of inadequacy, I now welcome her with space on my pillow and a cuddle.

For as another favourite parenting saying goes, *this too shall pass.*

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https://www.brisbanetimes.com.au/lifestyle/life-and-relationships/this-photo-with-my-baby-used-to-scream-failure-now-i-am-viewing-it-differently-20250901-p5mren.html?ref=rss&utm_medium=rss&utm_source=rss_feed

How much gold, silver does Sabarimala temple hold

**How Much Gold and Silver Does Sabarimala Temple Hold?**

*By Chanshimla Varah | Sep 19, 2025, 08:21 PM*

**Introduction**

The Sabarimala Ayyappa Temple in Kerala is one of India’s richest and most revered pilgrimage sites. Situated at an altitude of 4,133 feet in the Pathanamthitta district, the temple attracts millions of devotees annually. Its wealth extends beyond spirituality, encompassing vast material riches, including significant gold and silver reserves alongside substantial annual donations.

**Gold and Silver Reserves**

According to reports from Mathrubhumi, the temple currently holds approximately 227.824 kilograms of gold, which is not utilized for daily rituals or other temple expenses. Additionally, the temple’s silver reserves stand at an estimated 2,994 kilograms.

Every year, devotees offer over 15 kilograms of gold, with monetary donations often surpassing ₹105 crore. In recent times, the temple’s gold assets have been placed under a deposit scheme to earn interest, contributing to its growing wealth.

**Financial Overview**

As of September 2025, the net worth of the Sabarimala temple is estimated at ₹245 crore. During the 2023 pilgrimage season, the temple’s revenues reached a remarkable ₹320 crore.

The Mandala-Makaravilakku season in January 2025 was especially lucrative, generating ₹440 crore alone—an increase of ₹80 crore compared to the previous season. This period also saw a rise in the number of devotees, with over six lakh pilgrims visiting and daily footfalls peaking at around 1.8 lakh on the busiest days.

Besides gold and silver, the temple’s assets include fixed deposits and jewelry of significant cultural and historical importance.

**Legal Investigation Over Missing Gold**

Recently, the temple came under scrutiny following a vigilance probe ordered by the Kerala High Court. The investigation was prompted by a discrepancy of approximately 4.541 kilograms in the gold-plated copper covering of the Dwarapalaka idols at Sabarimala.

The copper plates, which initially weighed 42.8 kilograms before being sent for re-plating in Chennai in August 2019, were found to weigh only 38.258 kilograms upon return. This indicated a loss of over 4.5 kilograms of gold—a discrepancy not reported by the Travancore Devaswom Board (TDB), the temple’s managing body.

**Accountability and Transparency**

The Kerala High Court questioned the temple administration about how such a significant quantity of gold could go missing. Emphasizing the importance of maintaining faith and transparency concerning temple properties, the court directed the Devaswom Vigilance to carry out a thorough investigation.

The vigilance team has been ordered to submit a detailed report within three weeks. Additionally, the court mandated an inspection of all other gold-plated items at the temple to ensure no further irregularities exist.

**Conclusion**

Sabarimala Temple remains one of India’s wealthiest religious institutions, with vast reserves of gold and silver and substantial annual donations. However, recent incidents highlighting discrepancies in gold reserves underline the necessity for enhanced transparency and robust oversight to maintain the trust of millions of devotees who regard the temple with deep reverence.
https://www.newsbytesapp.com/news/india/how-much-gold-silver-and-wealth-does-sabarimala-temple-hold/story

Preparations underway for Durga Puja in Delhi

With Durga Puja set to begin on September 28, preparations are in full swing across the country, and Delhi is no exception. In Safdarjung Enclave, one of the capital’s most iconic Durga Puja celebrations is gearing up for its 59th year, with this year’s pandal themed around Lord Vishnu.

Every year, the Matri Mandir pandal adopts a unique concept, and this year, organisers have chosen to pay tribute to Lord Vishnu. The pandal is currently being transformed into a divine spectacle, complete with intricate idols and symbolic motifs associated with the protector of the universe. Artisans from West Bengal have been working tirelessly for over 40 days, breathing life into the theme with traditional craftsmanship and cultural depth.

Thousands of devotees from Delhi and the NCR region are expected to flock to the Matri Mandir pandal during the festival to seek blessings from Goddess Durga and witness the grandeur of the themed decor.

Meanwhile, the festive spirit is building across India as Navratri approaches. Set to begin on September 22 and continue until October 2, Navratri brings with it nine nights of vibrant celebration, devotion, and cultural expression. From Gujarat’s energetic Garba nights to West Bengal’s elaborate Durga Puja celebrations, Navratri is a sensory celebration of faith and festivity.

Navratri, which means “nine nights,” is dedicated to Goddess Durga and her nine divine forms. Each day holds special significance, marked by a unique colour, ritual, and legend, blending spirituality with joy. The festival culminates with Vijayadashami, also known as Dussehra, symbolising the victory of good over evil.

The origins of Durga Puja lie deep within Hindu mythology, commemorating the fierce battle between Goddess Durga and the demon Mahishasura. Created by the gods to defeat the invincible demon, Durga’s victory marks the triumph of righteousness over tyranny—a message that continues to inspire millions.

*This story has been sourced from a third-party syndicated feed and agencies. Mid-day accepts no responsibility or liability for the dependability, trustworthiness, reliability, or accuracy of the text. Mid-day management and mid-day.com reserve the sole right to alter, delete, or remove (without notice) the content at their absolute discretion for any reason whatsoever.*
https://www.mid-day.com/news/india-news/article/navratri-2025-grand-preparations-underway-for-durga-puja-delhis-safdarjung-enclave-pandal-adopts-lord-vishnu-theme-23594860

When do Post Malone tickets go live for Guwahati show?

**When Do Post Malone Tickets Go Live for Guwahati Show?**

*By Shreya Mukherjee | Sep 18, 2025 | 05:35 PM*

Global music sensation Post Malone is set to perform at the Khanapara Veterinary Ground in Guwahati, Assam, on December 8. This event marks his first-ever solo headline show in the Northeast region of India. The concert is part of his ongoing THE BIG AS* World Tour and follows his successful debut performance in Mumbai last year at the Zomato Feeding India Concert.

### A Cultural Push for Northeast India

The upcoming concert is a collaborative effort between the Assam government and international event organizers BookMyShow and Live Nation. The ticket sale is scheduled to begin at 12:00 PM on Saturday, as per the official announcement.

This initiative aims to promote “concert tourism” in the Northeast, highlighting the region’s rich cultural heritage. Padmapani Bora, Managing Director of Assam Tourism Development Corporation, expressed pride in welcoming Post Malone. He emphasized that the show reflects India’s expanding live entertainment scene, with Assam playing a key role in this growth.

### Career Highlights of Post Malone

Post Malone first rose to fame with chart-topping hits like “Rockstar,” “Congratulations,” “Circles,” and “Sunflower.” Over time, he has broadened his musical style with diverse collaborations. Notably, he featured on Taylor Swift’s 2024 track “Fortnight” from her album *The Tortured Poet’s Department*.

Earlier this year, Post Malone headlined the Coachella music festival and released a new collaboration with country star Morgan Wallen titled “I Ain’t Comin’ Back.”

Stay tuned for more updates on ticket sales and exclusive details about this exciting concert in Guwahati.
https://www.newsbytesapp.com/news/entertainment/post-malone-s-debut-solo-concert-in-assam/story

Indore’s Divine Clay Idols Reach Far And Wide: Over 250 Intricately Crafted Idols, Including Kali And Sherawali, Ready For Navratri Celebrations

**Indore’s Master Sculptors Bring Over 250 Clay Idols to Life for Navratri Celebrations**

Indore, Madhya Pradesh – The city is abuzz with devotion and artistry as master sculptors put the finishing touches on more than 250 clay idols destined for the upcoming Navratri celebrations. Some of these exquisite creations will even travel as far as Rajasthan, spreading the festive spirit beyond regional borders.

At Bengali Square, the Pal Sculptors’ Arts workshop is a hive of meticulous activity. Thirty dedicated artisans are working tirelessly, bringing to life idols of Maha Kali and Sherawali that vary in size—from petite 3-foot figures to towering 21-foot statues.

“This year, Maha Kali has seen the highest demand,” says Atul Pal, chief sculptor. “Over 60% of our orders are for her powerful and revered form. Sherawali devotees are equally honoured with beautifully crafted idols.”

The workshop’s creations sometimes share space with Ganesh statues, reflecting a harmonious blend of devotion and artistry in the same creative environment.

Serving not just Indore but also surrounding regions such as Jaora, Mandsaur, Rajgarh, Ujjain, Dewas, and beyond, the Pal workshop is busy preparing complete divine families for installation across 12 select locations. These include community sites at Bengali, Bapat, Sukhlia, Khajrana, Kalani Nagar, Airport, Bhuteshwar, and others.

Sourcing materials is a precise endeavor. Yellow clay is brought all the way from Kolkata, bamboo from Kanpur, and holy mud from the Shipra river is used to ensure each idol is crafted with the highest quality standards. Notably, the sculptors do not use any colors; the idols are made purely of clay, which helps reduce pollution during the festive season.

With Navratri commencing on September 22, the artisans are racing against time, channeling their devotion, artistry, and unparalleled skill into every detailed creation—readying the city for a vibrant and spiritually enriching celebration.
https://www.freepressjournal.in/indore/indores-divine-clay-idols-reach-far-and-wide-over-250-intricately-crafted-idols-including-kali-and-sherawali-ready-for-navratri-celebrations

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